![]() ![]() Yet so much about Austin’s culture in the 2010s reflects an unmistakable provenance in the 1970s.īyron Mansion sells The Rag - a counterculture newspaper - on the Drag in 1974. ![]() Sure, the hair is shorter, the crowd is more varied, the causes have evolved, and the prices on those modish crafts have skyrocketed. If the alert observer squinted very hard - and blocked out decades of intervening memories - one could almost be transported to Austin’s Drag along Guadalupe Street opposite the University of Texas campus in the 1970s. Every once in while, one could catch the foxy whiff of a still-forbidden substance. Some ventured into shops or eateries, virtually all of them locally generated.Īt scattered spots along the way, eager young activists used their charms to sign up passers-by for idealistic causes. Peaceful and relaxed, they stopped to chat, to drink in some street music, or to browse the hand-made crafts hawked by outdoor vendors. Though the weather had turned chilly, folks dressed in funky outfits strolled slowly up and down the wide sidewalks. Michael Talley plays a stand up piano on South Congress Avenue during SXSW. On Saturday, March 19 - as the 30th annual South by Southwest Festival wound down to a close - South Congress Avenue swam with locals and tourists. ![]()
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